Max W 1/1/24 Max W 1/1/24 Hellblazers (2022) Summons The Devil: Forgettable Indie Horrors Read More Max W 1/1/24 Max W 1/1/24 The Last Thing Mary Saw (2022) Will Haunt You Read More Max W 1/1/24 Max W 1/1/24 Film School Horror Project Gets Interrupted by Killer in Generic Stoker Hills (2022) Read More Max W 1/1/24 Max W 1/1/24 One Really Shouldn’t Let Us In (2021) If They’d Like to Be Entertained Read More Max W 1/1/24 Max W 1/1/24 Netflix’s The Wasteland (2022) Erodes the Longer Its Left to the Elements of Its Narrative Read More Max W 1/1/24 Max W 1/1/24 American Refugee (2021) Finds No Shelter in Tepid Sociopolitical Horror Read More Max W 1/1/24 Max W 1/1/24 The Pond (2021) Isn’t as Deep as It Claims to Be Read More Max W 1/1/24 Max W 1/1/24 A House on the Bayou (2021) Opens Up with Half-Hearted Southern Gothic Horror Read More Max W 1/1/24 Max W 1/1/24 Bad Candy (2021) is Only a Semi-Sweet Halloween Anthology Read More Max W 1/1/24 Max W 1/1/24 Found Footage Fatigue Sets in with The Land of Blue Lakes (2021) Read More Max W 1/1/24 Max W 1/1/24 January 2022 Review: The Best Movies I Saw Last Month Read More Max W 1/1/24 Max W 1/1/24 See For Me (2022) Is Another “Woman In Peril” Horror You Need to See to Believe Read More Max W 1/1/24 Max W 1/1/24 The 8th Night (2021) May Be One Too Many Read More Max W 1/1/24 Max W 1/1/24 Scream (2022) Slices Up Brilliant Commentary on the New Age of Horror While Honoring the Past Read More Max W 1/1/24 Max W 1/1/24 Nightbooks (2021) Is Perfect Feel-Good Horror for the Younger Crowd Read More Max W 1/1/24 Max W 1/1/24 Demonic Toys Return in Its Best Installment Yet: Baby Oopsie (2021) Read More Max W 1/1/24 Max W 1/1/24 Wrong Turn (2021) Takes Series in a New Direction Read More Max W 12/31/23 Max W 12/31/23 Pregnancy Complicates the Apocalypse in Mother/Android (2021) Read More Max W 12/31/23 Max W 12/31/23 A Classic Horror Story (2021) Isn’t What It Appears to Be, For Better or For Worse Read More Max W 12/31/23 Max W 12/31/23 The Strings (2021) Is as Empty and Haunting as the Music It Creates Read More Newer Posts Older Posts
Max W 1/1/24 Max W 1/1/24 Film School Horror Project Gets Interrupted by Killer in Generic Stoker Hills (2022) Read More
Max W 1/1/24 Max W 1/1/24 One Really Shouldn’t Let Us In (2021) If They’d Like to Be Entertained Read More
Max W 1/1/24 Max W 1/1/24 Netflix’s The Wasteland (2022) Erodes the Longer Its Left to the Elements of Its Narrative Read More
Max W 1/1/24 Max W 1/1/24 American Refugee (2021) Finds No Shelter in Tepid Sociopolitical Horror Read More
Max W 1/1/24 Max W 1/1/24 A House on the Bayou (2021) Opens Up with Half-Hearted Southern Gothic Horror Read More
Max W 1/1/24 Max W 1/1/24 See For Me (2022) Is Another “Woman In Peril” Horror You Need to See to Believe Read More
Max W 1/1/24 Max W 1/1/24 Scream (2022) Slices Up Brilliant Commentary on the New Age of Horror While Honoring the Past Read More
Max W 1/1/24 Max W 1/1/24 Nightbooks (2021) Is Perfect Feel-Good Horror for the Younger Crowd Read More
Max W 1/1/24 Max W 1/1/24 Demonic Toys Return in Its Best Installment Yet: Baby Oopsie (2021) Read More
Max W 12/31/23 Max W 12/31/23 Pregnancy Complicates the Apocalypse in Mother/Android (2021) Read More
Max W 12/31/23 Max W 12/31/23 A Classic Horror Story (2021) Isn’t What It Appears to Be, For Better or For Worse Read More
Max W 12/31/23 Max W 12/31/23 The Strings (2021) Is as Empty and Haunting as the Music It Creates Read More
