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Horror 2 the Max
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Horror 2 the Max
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The Cursed (2022) Tackles Fresh New Look at Werewolves
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The Cursed (2022) Tackles Fresh New Look at Werewolves

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A Separation (2021) of the Script Could Have Made Two Distinct Better Movies
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A Separation (2021) of the Script Could Have Made Two Distinct Better Movies

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February 2022 Review: The Best Movies I Saw Last Month
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February 2022 Review: The Best Movies I Saw Last Month

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Despite Its Title, The Privilege (2022) Is Hindered By Lofty Ambitions
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Despite Its Title, The Privilege (2022) Is Hindered By Lofty Ambitions

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Fear of Rain (2021) Brings Depth to Traditionally Maligned Characters
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Fear of Rain (2021) Brings Depth to Traditionally Maligned Characters

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Fear Watching Another Anthology Ever Again with Phobias (2021)
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Fear Watching Another Anthology Ever Again with Phobias (2021)

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Slapface (2022) Slaps Traditional Creature Feature Tropes in the Face
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Slapface (2022) Slaps Traditional Creature Feature Tropes in the Face

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French Insect Attack Film, The Swarm (2021) Will Crush You
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French Insect Attack Film, The Swarm (2021) Will Crush You

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Heartfelt Indie Horror Comedy Danni and the Vampire (2022) is Cinematic Bubbly
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Heartfelt Indie Horror Comedy Danni and the Vampire (2022) is Cinematic Bubbly

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Horror Is Shallow in Lovecraftian Adaptation The Deep Ones (2021)
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Horror Is Shallow in Lovecraftian Adaptation The Deep Ones (2021)

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Action-Horror Hybrid WarHunt (2022) Is Not Worth Dying For
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Action-Horror Hybrid WarHunt (2022) Is Not Worth Dying For

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Hellblazers (2022) Summons The Devil: Forgettable Indie Horrors
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Hellblazers (2022) Summons The Devil: Forgettable Indie Horrors

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The Last Thing Mary Saw (2022) Will Haunt You
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The Last Thing Mary Saw (2022) Will Haunt You

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Film School Horror Project Gets Interrupted by Killer in Generic Stoker Hills (2022)
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Film School Horror Project Gets Interrupted by Killer in Generic Stoker Hills (2022)

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One Really Shouldn’t Let Us In (2021) If They’d Like to Be Entertained
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One Really Shouldn’t Let Us In (2021) If They’d Like to Be Entertained

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Netflix’s The Wasteland (2022) Erodes the Longer Its Left to the Elements of Its Narrative
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Netflix’s The Wasteland (2022) Erodes the Longer Its Left to the Elements of Its Narrative

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American Refugee (2021) Finds No Shelter in Tepid Sociopolitical Horror
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American Refugee (2021) Finds No Shelter in Tepid Sociopolitical Horror

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The Pond (2021) Isn’t as Deep as It Claims to Be
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The Pond (2021) Isn’t as Deep as It Claims to Be

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A House on the Bayou (2021) Opens Up with Half-Hearted Southern Gothic Horror
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A House on the Bayou (2021) Opens Up with Half-Hearted Southern Gothic Horror

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Bad Candy (2021) is Only a Semi-Sweet Halloween Anthology
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Bad Candy (2021) is Only a Semi-Sweet Halloween Anthology

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